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Big fan of this guy, Carter Tanton. It’s sort of hard not to be. He blends psych/folk perfectly with that languid voice. You truly aren’t even sure where his single, “Twentynine Palms (ft. Sharon Van Etten),” but right around the minute 30 mark, the song warmly breaks wide open. And who can’t love that perfect female cameo? [&hellip
Sometimes the audio does not match up with the visual. Even the name, really. But with Melbourne-based producer Robert Downie, aka Uncle Bobby, all you simply need to do is close your eyes and turn the monitors up. The slowed-out reverbed vocals in track, “My Mind is Already Gone,” take you on a nice and hazy psych-rock [&hellip
This track from Carroll, released before the Summer hit, is everything I want to listen to this morning. Swirling guitars, reverb that fills the entire room, and a fabulous coasting tempo. I’m all about it as we enter this new week, and I’ve got plenty to get started on. Lets go Monday. Recommend on Facebook [&hellip
I think a little revisit on White Arrows is in order. I’ve touched on them lightly here at what’s protocol and I’d love to dive a bit deeper. Anything that describes itself as electronic gospel is pretty much my favorite thing. For whatever reason, these guys embrace the weird. And I’m pretty much all about that. I [&hellip
Yessssss! Finally TEAMS has released his brand new California sun, surf, psych-rock, summer heat inspired Sierra City Center (Diamond Club). The new album, which he recorded in Sierra City and Trinity Center, California “during the insane summer heat,” is a slightly new direction than his previous work, featuring more singing, “psychedelic” sounding songs, and some rippin’ guitar [&hellip
This one’s an easy one guys. The new Local Natives album is finally out and it’s everything I was hoping for. With such an incredible debut back in 2009, it would be an understatement to say that Hummingbird was highly anticipated. Well, at least for me.. Anyways, take your day of rest to stream through the entire release, track to track. With [&hellip
The energy in Giant Claw’s LP, Mutant Glamour, is beyond relentless. Armed with 80’s 8-bit synths and other abnormal tones and effects, GL strings together all sorts of sounds under a tightly wound drum machine. The overall feel seems ironic, but not. Disorganized, but collected. Frantic, yet structured. Your ears are presented with improvised and restless [&hellip
Italy’s Drink To Me really put some work into their latest album, S. Their tribalism influences especially shine through in fourth track, “Future Days,” with a heavy yet playful electronic build up. The lyrics are charming, especially at the end when the group sings, “we’re doing the best we can/ we’re wide awake and we’re working on [&hellip
This track had me at the hypnotizing organ. It’s a creeping “tubey-riff” that breaks completely open for the chorus. I enjoy the stalking guitars, the heavy hitting percussion, and pretty much the entire energy of “Walking in the Dark.” Seattle’s Black Whales have the 60’s reverb sound with obvious influences from The Turtles, The Kinks, and [&hellip
I’m going to warn you, this mixture of solid music I’m throwing your way is an eclectic bunch. Expand your ears and right click away. I Follow Rivers – Lykke Li My giirrllllllllll recently released this excellent song off her upcoming release in February and I am pumped. Absolutely pumped. The beat is nice and [&hellip